Appetite for Glory
~Production Pictures~
~Process Pictures & Paperwork~
In the rehearsal room. A recorded full run of the show was essential to my preliminary design process.
Painting the floor before Sound Equipment Load-In
Loading-in speakers into the space and angling them in the right direction.
Cue to Cue through the show.
Fixes during Tech Week
Final Run of the Show before Opening
Sound Strike Plan.pdfSound Pre-Show_Intermission_Post-Show Checklist - AFG.pdf~ Remarks~
When thinking about this show, I think fondly to the first words that I had with the director (Matthew Garlin). "Most of all, I want someone who's passionate and excited for this production." Knowing this, we truly opened up the conversation with both Matthew and the playwright (Tim Caron) regarding their vision for the show. Creating an environment that we could through different ideas surrounding a realistic versus abstraction, varying different ideas for repetitive motifs, and more! Through these conversations, the creative content supported their location and time period, and helped the audience understand the story and emotional journey of Guillame.